The fear of what this side of her character might have led her to do made me nervous for days afterward.I waited for an intimation from Miss Tita; I almost figured to myself that it was her duty to keep me informed, to let me know definitely whether or no Miss Bordereau had sacrificed her treasures.
But as she gave no sign I lost patience and determined to judge so far as was possible with my own senses.
I sent late one afternoon to ask if I might pay the ladies a visit, and my servant came back with surprising news.
Miss Bordereau could be approached without the least difficulty;she had been moved out into the sala and was sitting by the window that overlooked the garden.
I descended and found this picture correct; the old lady had been wheeled forth into the world and had a certain air, which came mainly perhaps from some brighter element in her dress, of being prepared again to have converse with it.
It had not yet, however, begun to flock about her;she was perfectly alone and, though the door leading to her own quarters stood open, I had at first no glimpse of Miss Tita.
The window at which she sat had the afternoon shade and, one of the shutters having been pushed back, she could see the pleasant garden, where the summer sun had by this time dried up too many of the plants--she could see the yellow light and the long shadows.
"Have you come to tell me that you will take the rooms for six months more?" she asked as I approached her, startling me by something coarse in her cupidity almost as much as if she had not already given me a specimen of it.
Juliana's desire to make our acquaintance lucrative had been, as I have sufficiently indicated, a false note in my image of the woman who had inspired a great poet with immortal lines;but I may say here definitely that I recognized after all that it behooved me to make a large allowance for her.
It was I who had kindled the unholy flame; it was I who had put into her head that she had the means of ****** money.
She appeared never to have thought of that; she had been living wastefully for years, in a house five times too big for her, on a footing that I could explain only by the presumption that, excessive as it was, the space she enjoyed cost her next to nothing and that small as were her revenues they left her, for Venice, an appreciable margin.
I had descended on her one day and taught her to calculate, and my almost extravagant comedy on the subject of the garden had presented me irresistibly in the light of a victim.
Like all persons who achieve the miracle of changing their point of view when they are old she had been intensely converted;she had seized my hint with a desperate, tremulous clutch.
I invited myself to go and get one of the chairs that stood, at a distance, against the wall (she had given herself no concern as to whether Ishould sit or stand); and while I placed it near her I began, gaily, "Oh, dear madam, what an imagination you have, what an intellectual sweep!
I am a poor devil of a man of letters who lives from day to day.
How can I take palaces by the year? My existence is precarious.
I don't know whether six months hence I shall have bread to put in my mouth.
I have treated myself for once; it has been an immense luxury.
But when it comes to going on--!"
"Are your rooms too dear? If they are you can have more for the same money,"Juliana responded."We can arrange, we can combinare, as they say here.""Well yes, since you ask me, they are too dear," I said.
"Evidently you suppose me richer than I am."She looked at me in her barricaded way."If you write books don't you sell them?""Do you mean don't people buy them? A little--not so much as I could wish.
Writing books, unless one be a great genius--and even then!--is the last road to fortune.I think there is no more money to be made by literature.""Perhaps you don't choose good subjects.What do you write about?"Miss Bordereau inquired.
"About the books of other people.I'm a critic, an historian, in a small way." I wondered what she was coming to.
"And what other people, now?"
"Oh, better ones than myself: the great writers mainly--the great philosophers and poets of the past; those who are dead and gone and can't speak for themselves.""And what do you say about them?"
"I say they sometimes attached themselves to very clever women!"I answered, laughing.I spoke with great deliberation, but as my words fell upon the air they struck me as imprudent.
However, I risked them and I was not sorry, for perhaps after all the old woman would be willing to treat.
It seemed to be tolerably obvious that she knew my secret:
why therefore drag the matter out? But she did not take what Ihad said as a confession; she only asked:
"Do you think it's right to rake up the past?""I don't know that I know what you mean by raking it up;but how can we get at it unless we dig a little?
The present has such a rough way of treading it down.""Oh, I like the past, but I don't like critics," the old woman declared with her fine tranquility.
"Neither do I, but I like their discoveries.""Aren't they mostly lies?"
"The lies are what they sometimes discover," I said, smiling at the quiet impertinence of this."They often lay bare the truth.""The truth is God's, it isn't man's; we had better leave it alone.
Who can judge of it--who can say?"
"We are terribly in the dark, I know," I admitted; "but if we give up trying what becomes of all the fine things? What becomes of the work I just mentioned, that of the great philosophers and poets?
It is all vain words if there is nothing to measure it by.""You talk as if you were a tailor," said Miss Bordereau whimsically;and then she added quickly, in a different manner, "This house is very fine; the proportions are magnificent.Today I wanted to look at this place again.I made them bring me out here.
When your man came, just now, to learn if I would see you, I was on the point of sending for you, to ask if you didn't mean to go on.I wanted to judge what I'm letting you have.
This sala is very grand," she pursued, like an auctioneer, moving a little, as I guessed, her invisible eyes.
