With slow steps Linley crossed the lawn; his mind gloomily absorbed in thoughts which had never before troubled his easy nature--thoughts heavily laden with a burden of self-reproach.
Arrived at the limits of the lawn, two paths opened before him.
One led into a quaintly pretty inclosure, cultivated on the plan of the old gardens at Versailles, and called the French Garden.
The other path led to a grassy walk, winding its way capriciously through a thick shrubbery. Careless in what direction he turned his steps, Linley entered the shrubbery, because it happened to be nearest to him.
Except at certain points, where the moonlight found its way through open spaces in the verdure, the grassy path which he was now following wound onward in shadow. How far he had advanced he had not noticed, when he heard a momentary rustling of leaves at some little distance in advance of him. The faint breeze had died away; the movement among the leaves had been no doubt produced by the creeping or the flying of some creature of the night. Looking up, at the moment when he was disturbed by this trifling incident, he noticed a bright patch of moonlight ahead as he advanced to a new turn in the path.
The instant afterward he was startled by the appearance of a figure, emerging into the moonlight from the further end of the shrubbery, and rapidly approaching him. He was near enough to see that it was the figure of a woman. Was it one of the female servants, hurrying back to the house after an interview with a sweetheart? In his black evening dress, he was, in all probability, completely hidden by the deep shadow in which he stood. Would he be less likely to frighten the woman if he called to her than if he allowed her to come close up to him in the dark? He decided on calling to her.
"Who is out so late?" he asked.
A cry of alarm answered him. The figure stood still for a moment, and then turned back as if to escape him by flight.
"Don't be frightened," he said. "Surely you know my voice?"
The figure stood still again. He showed himself in the moonlight, and discovered--Sydney Westerfield.
"You!" he exclaimed.
She trembled; the words in which she answered him were words in fragments.
"The garden was so quiet and pretty--I thought there would be no harm--please let me go back--I'm afraid I shall be shut out--"
She tried to pass him. "My poor child!" he said, "what is there to be frightened about? I have been tempted out by the lovely night, like you. Take my arm. It is so close in here among the trees. If we go back to the lawn, the air will come to you freely."
She took his arm; he could feel her heart throbbing against it.
Kindly silent, he led her back to the open space. Some garden chairs were placed here and there; he suggested that she should rest for a while.
"I'm afraid I shall be shut out," she repeated. "Pray let me get back."
He yielded at once to the wish that she expressed. "You must let me take you back," he explained. "They are all asleep at the house by this time. No! no! don't be frightened again. I have got the key of the door. The moment I have opened it, you shall go in by yourself."
She looked at him gratefully. "You are not offended with me now, Mr. Linley," she said. "You are like your kind self again ."
They ascended the steps which led to the door. Linley took the key from his pocket. It acted perfectly in drawing back the lock; but the door, when he pushed it, resisted him. He put his shoulder against it, and exerted his strength, helped by his weight. The door remained immovable.
Had one of the servants--sitting up later than usual after the party, and not aware that Mr. Linley had gone into the garden--noticed the door, and carefully fastened the bolts on the inner side? That was exactly what had happened.
There was nothing for it but to submit to circumstances. Linley led the way down the steps again. "We are shut out," he said.
Sydney listened in silent dismay. He seemed to be merely amused; he treated their common misfortune as lightly as if it had been a joke.
"There's nothing so very terrible in our situation," he reminded her. "The servants' offices will be opened between six and seven o'clock; the weather is perfect; and the summer-house in the French Garden has one easy-chair in it, to my certain knowledge, in which you may rest and sleep. I'm sure you must be tired--let me take you there."
She drew back, and looked up at the house.
"Can't we make them hear us?" she asked.
"Quite impossible. Besides--" He was about to remind her of the evil construction which might be placed on their appearance together, returning from the garden at an advanced hour of the night; but her innocence pleaded with him to be silent. He only said, "You forget that we all sleep at the top of our old castle.
There is no knocker to the door, and no bell that rings upstairs.
Come to the summer-house. In an hour or two more we shall see the sun rise."
She took his arm in silence. They reached the French Garden without another word having passed between them.
The summer-house had been designed, in harmony with the French taste of the last century, from a classical model. It was a rough copy in wood of The Temple of Vesta at Rome. Opening the door for his companion, Linley paused before he followed her in. A girl brought up by a careful mother would have understood and appreciated his hesitation; she would have concealed any feeling of embarrassment that might have troubled her at the moment, and would have asked him to come back and let her know when the rising of the sun began. Neglected by her mother, worse than neglected by her aunt, Sydney's fearless ignorance put a question which would have lowered the poor girl cruelly in the estimation of a stranger. "Are you going to leave me here by myself?" she asked. 'Why don't you come in?"
Linley thought of his visit to the school, and remembered the detestable mistress. He excused Sydney; he felt for her. She held the door open for him. Sure of himself, he entered the summer-house.
