And, with a lofty air and calm bearing, Marie Antoinette entered the great coach in which the royal family was to make the journey to Paris. Near her sat the king, between them the dauphin. Opposite to them, on the broad, front seat, were their daughter Therese, the Princess Elizabeth, and Madame de Tourzel, governess of the royal children. Behind them, in a procession, whose end could not be seen, followed an artillery train; then the mob, armed with pikes, and other weapons-men covered with blood and dust, women with dishevelled hair and torn garments, the most of them drunken with wine, exhausted by watching during the night, shouting and yelling, and singing low songs, or mocking the royal family with scornful words. Behind these wild masses came two hundred gardes du corps without weapons, hats, and shoulder-straps, every one escorted by two grenadiers, and they were followed by some soldiers of the Swiss guard and the Flanders regiment. In the midst of this train rattled loaded cannon, each one accompanied by two soldiers. But still more fearful than the retinue of the royal equipage were the heralds who preceded it--heralds consisting of the most daring and defiant of these men and women, impatiently longing for the moment when they could announce to the city of Paris that the revolution in Versailles had humiliated the king, and given the people victory.
They carried with them the bloody tokens of this victory, the heads of Varicourt and Deshuttes, the faithful Swiss guards, who had died in the service of their king. They had hoisted both these heads upon pikes, which two men of the mob carried before the procession.
Between them strode, with proud, triumphant mien, a gigantic figure, with long, black beard, with naked blood-flecked arms, with flashing eyes, his face and hands wet with the blood with which he had imbued himself, and in his right hand a slaughter-knife which still dripped blood. This was Jourdan, who, from his cutting off the heads of both the Swiss guards, had won the name of the executioner--a name which he understood how to keep during the whole revolution.[Footnote:
Jourdan, the executioner, had, until that time, been a model in the Royal Academy of Painting and Sculpture.]
Like storm-birds, desirous to be the first to announce to Paris the triumph of the populace, and impatient of the slow progress of the royal train, these heralds of victory, bearing their bloody banner, hastened on in advance of the procession to Paris. In Sevres they made a halt--not to rest, or wait for the oncoming train--but to have the hair of the two heads dressed by friseurs, in order, as Jourdan announced with fiendish laughter to the yelling mob, that they might make their entrance into the city as fine gentlemen.
While before them and behind them these awful cries, loud singing and laughing resounded, within the carriage that conveyed the royal family there was unbroken silence. The king sat leaning back in the corner, with his eyes closed, in order not to see the horrid forms which from time to time approached the window of the carriage, to stare in with curious looks, or with mocking laughter and equivoques, to heap misery on the unfortunate family.
The queen, however, sat erect, with proud, dignified bearing, courageously looking the horrors of the day in the face, and not a quiver of the eyelids, nor a sigh, betraying the pain that tortured her soul.
"No, better die than grant to this triumphing rabble the pleasure of seeing what I suffer! Better sink with exhaustion than complain."
Not a murmur, not a sigh, came from her lips; and yet, when the dauphin, after four hours of this sad journey, turned with a supplicatory expression to his mother, and said to her with his sweet voice, "Mamma queen, I am hungry," the proud expression withdrew from the features of the queen, and two great tears slowly ran down over her cheeks.
At last, after a ride of eight hours, the frightful train reached Paris. Not a window in all the streets through which the royal procession went was empty. In amazement and terror the people of the middle class gazed at this hitherto unseen spectacle--the King and the Queen of France brought in triumph to the capital by the lowest people in the city! A dumb fear took possession of those who hitherto had tried to ignore the revolution, and supposed that every thing would subside again into the old, wonted forms. Now, no one could entertain this hope longer; now, the most timid must confess that a revolution had indeed come, and that people must accustom themselves to look at it eye to eye.
Slowly the train moved forward--slowly down the quay which extends along by the garden of the Tuileries. The loungers who were in the garden hurried to the fence, which then bordered the park on the side of the quay, in order to watch this frightful procession from this point: to see an unbridled populace dash in pieces the preive royalty of ages.
Scorn and the love of destruction were written on most of the faces of these observers, but many were pale, and many quivered with anger and grief. In the front ranks of the spectators stood two young men, one of them in ****** civilian's costume, the other in the uniform of a sub-lieutenant. The face of the young officer was pale, but it lightened up with rare energy; and with his noble, antique profile, and flaming eyes, it enchanted every look, and fixed the attention of every one who observed him.
As the howling, roaring mob passed him, the young officer turned to his companion with an expression of fiery indignation. "0 God," he cried, "how is this possible? Has the king no cannon to destroy this canaille? " [Footnote: His own words.--See Beauchesne, vol. i.,p.
85.]
"My friend," answered the young man, smiling, "remember the words of our great poet Corneille: 'The people give the king his purple and take it back when they please. The beggar, king only by the people's grace, simply gives back his purple to the people.' "
"Ah!" cried the young lieutenant, smiling, "what once has been received should be firmly held. I, at least, if I had once received the purple by the people's grace, would not give it back. But come, let us go on, it angers me to see this canaille, upon which you bestow the fine name of 'the people.'" He hastily grasped the arm of his friend, and turned to a more solitary part of the garden of the Tuileries.
This young sub-lieutenant, who saw with such indignation this revolutionary procession pass him, and whom destiny had appointed one day to bring this revolution to an end--this young lieutenant's name was Napoleon Bonaparte.
The young man who walked at his side, and whom, too, destiny had appointed to work a revolution, although only in the theatrical world, to recreate the drama--this young man's name was Talma.
