Possibly because she wished to eliminate herself from the offices of Nicholson and Snow for a few days, possibly because her finely attuned nature felt the call, Marian Thorne boarded a train that carried her to Los Angeles. She stepped from it at ten o'clock in the morning, and by the streetcar route made her way to Lilac Valley. When she arrived she realized that she could not see Linda before, possibly, three in the afternoon. She entered a restaurant, had a small lunch box packed, and leaving her dressing case, she set off down the valley toward the mountains.
She had need of their strength, their quiet and their healing.
To the one particular spot where she had found comfort in Lilac Valley her feet led her. By paths of her own, much overgrown for want of recent usage, she passed through the cultivated fields, left the roadway, and began to climb. When she reached the stream flowing down the rugged hillside, she stopped to rest for a while, and her mind was in a tumult. In one minute she was seeing the bitterly disappointed face of a lonely, sensitive man whose first wound had been reopened by the ****** of another possibly quite as deep; and at the next her heart was throbbing because Linda had succeeded in transferring the living Peter to paper.
The time had come when Marian felt that she would know the personality embodied in the letters she had been receiving; and in the past few days her mind had been fixing tenaciously upon PeterMorrison. And the feeling concerning which she had written Linda had taken possession of her. Wealth did not matter; position did not matter. Losing the love of a good man did not matter But the mind and the heart and the personality behind the letters she had been receiving did matter. She thought long and seriously When at last she arose she had arrived at the conclusion that she had done the right thing, no matter whether the wonderful letters she had received went on and offered her love or not, no matter about anything. She must merely live and do the best she could, until the writer of those letters chose to disclose himself and say what purpose he had in mind when he wrote them.
So Marian followed her own path beside the creek until she neared its head, which was a big, gushing icy spring at the foot of the mountain keeping watch over the small plateau that in her heart she had thought of as hers for years. As she neared the location strange sounds began to reach her, voices of men, clanging of hammers, the rip of saws. A look of deep consternation overspread her face. She listened an instant and then began to run. When she broke through the rank foliage flourishing from the waters of the spring and looked out on the plateau what she saw was Peter Morrison's house in the process of being floored and shingled. For a minute Marian was physically ill. Her heart hurt until her hand crept to her side in an effort to soothe it.
Before she asked the question of a man coming to the spring with a pail in his hand, she knew the answer. It was Peter Morrison's house. Marian sprang across the brook, climbed to the temporary roadway, and walked down in front of the building. She stood looking at it intently. It was in a rough stage, but much disguise is needed to prevent a mother from knowing her own child. Marian's dark eyes began to widen and to blaze. She walked up to the front of the house and found that rough flooring had been laid so that she could go over the first floor. When she had done this she left the back door a deeply indignant woman.
"There is some connection," she told herself tersely, "between my lost sketch and this house, which is merely a left-to-right rehearsal of my plans; and it's the same plan with which Henry Anderson won the Nicholson and Snow prize money and the still more valuable honor of being the prize winner. What I want to know is how such a wrong may be righted, and what Peter Morrison has to do with it."Stepping from the back door, Marian followed the well-worn pathway that led to the garage, looking right and left for Peter, and she was wondering what she would say to him if she met him.
She was thinking that perhaps she had better return to San Francisco and talk the matter over with Mr. Snow before she said anything to anyone else; by this time she had reached the garage and stood in its wide-open door. She looked in at the cot, left just as someone had arisen from it, at the row of clothing hanging on a rough wooden rack at the back, at the piled boxes, at the big table, knocked together from rough lumber, in the center, scattered and piled with books and magazines; and then her eyes fixed intently on a packet lying on the table beside a typewriter and a stack of paper and envelopes. She walked over and picked up the packet. As she had known the instant she saw them, they were her letters. She stood an instant holding them in her hand, a dazed expression on her face. Mechanically she reached out and laid her hands on the closed typewriter to steady herself. Something about it appealed to her as familiar. She looked at it closely, then she lifted the cover and examined the machine. It was the same machine that had stood for years in Doctor Strong's library, a machine upon which she had typed business letters for her own father, and sometimes she had copied lectures and book manuscript on it for Doctor Strong. Until his house was completed and his belongings arrived, Peter undoubtedly had borrowed it. Suddenly a wild desire to escape swept over Marian. Her first thought was of her feelings. She was angry, and justly so. In her heart she had begun to feel that the letters she was receiving were from Peter Morrison. Here was the proof.
