Gabriel suddenly missed Farmer Boldwood from his place at the bottom of the table. How long he had been gone Oak did not know; but he had apparently withdrawn into the encircling dusk. Whilst he was thinking of this Liddy brought candles into the back part of the room overlooking the shearers, and their lively new flames shone down the table and over the men, and dispersed among the green shadows behind.
Bathsheba's form, still in its original position, was now again distinct between their eyes and the light, which revealed that Boldwood had gone inside the room, and was sitting near her.
Next came the question of the evening. Would Miss Everdene sing to them the song she always sang so charmingly - `The Banks of Allan Water' - before they went home?
After a moment's consideration Bathsheba assented, beckoning to Gabriel, who hastened up into the coveted atmosphere.
`Have you brought your flute?' she whispered.
`Yes, miss.'
`Play to my singing, then.'
She stood up in the window-opening, facing the men, the candles behind her. Gabriel on her right hand, immediately outside the sashframe. Boldwood had drawn up on her left, within the room. Her singing was soft and rather tremulous at first, but it soon swelled to a steady clearness. Subsequent events caused one of the verses to be remembered for many months, and even years, by more than one of those who were gathered there: For his bride a soldier sought her, And a winning tongue had he:
On the banks of Allan Water None was gay as she! In addition to the dulcet piping of Gabriel's flute Boldwood supplied a bass in his customary profound voice, uttering his notes so softly, however, as to abstain entirely from ****** anything like an ordinary duet of the song; they rather formed a rich unexplored shadow, which threw her tones into relief. The shearers reclined against each other as at suppers in the early ages of the world, and so silent and absorbed were they that her breathing could almost be heard between the bars; and at the end of the ballad, when the last tone loitered on to an inexpressible close, there arose that buzz of pleasure which is the attar of applause.
It is scarcely necessary to state that Gabriel could not avoid noting the farmer's bearing tonight towards their entertainer. Yet there was nothing exceptional in his actions beyond what appertained to his time of performing them. It was when the rest were all looking away that Boldwood observed her; when they regarded her he turned aside; when they thanked or praised he was silent; when they were inattentive he murmured his thanks. The meaning lay in the difference between actions none of which had any meaning of itself and the necessity of being jealous, which lovers are troubled with, did not lead Oak to underestimate these signs.
Bathsheba then wished them good-night, withdrew from the window, and retired to the back part of the room, Boldwood thereupon closing the sash and the shutters, and remaining inside with her. Oak wandered away under the quiet and scented trees. Recovering from the softer impressions produced by Bathsheba's voice, the shearers rose to leave, Coggan turning to Pennyways as he pushed back the bench to pass out:
