The reader who hath suffered his muse to continue hitherto in a virgin state can have but a very inadequate idea of this kind of paternal fondness. To such we may parody the tender exclamation of Macduff, "Alas! Thou hast written no book." But the author whose muse hath brought forth will feel the pathetic strain, perhaps will accompany me with tears (especially if his darling be already no more), while I mention the uneasiness with which the big muse bears about her burden, the painful labour with which she produces it, and lastly, the care, the fondness, with which the tender father nourishes his favourite, till it be brought to maturity, and produced into the world.
Nor is there any paternal fondness which seems less to savour of absolute instinct, and which may so well be reconciled to worldly wisdom, as this. These children may most truly be called the riches of their father; and many of them have with true filial piety fed their parent in his old age: so that not only the affection, but the interest, of the author may be highly injured by these slanderers, whose poisonous breath brings his book to an untimely end.
Lastly, the slander of a book is, in truth, the slander of the author: for, as no one can call another bastard, without calling the mother a whore, so neither can any one give the names of sad stuff, horrid nonsense, &c., to a book, without calling the author a blockhead; which, though in a moral sense it is a preferable appellation to that of villain, is perhaps rather more injurious to his worldly interest.
Now, however ludicrous all this may appear to some, others, Idoubt not, will feel and acknowledge the truth of it; nay, may, perhaps, think I have not treated the subject with decent solemnity;but surely a man may speak truth with a smiling countenance. In reality, to depreciate a book maliciously, or even wantonly, is at least a very ill-natured office; and a morose snarling critic may, Ibelieve, be suspected to be a bad man.
I will therefore endeavour, in the remaining part of this chapter, to explain the marks of this character, and to show what criticism Ihere intend to obviate: for I can never be understood, unless by the very persons here meant, to insinuate that there are no proper judges of writing, or to endeavour to exclude from the commonwealth of literature any of those noble critics to whose labours the learned world are so greatly indebted. Such were Aristotle, Horace, and Longinus, among the antients, Dacier and Bossu among the French, and some perhaps among us; who have certainly been duly authorized to execute at least a judicial authority in foro literario.
But without ascertaining all the proper qualifications of a critic, which I have touched on elsewhere, I think I may very boldly object to the censures of any one past upon works which he hath not himself read. Such censurers as these, whether they speak from their own guess or suspicion, or from the report and opinion of others, may properly be said to slander the reputation of the book they condemn.
Such may likewise be suspected of deserving this character, who, without assigning any particular faults, condemn the whole in general defamatory terms; such as vile, dull, d--d stuff, &c., and particularly by the use of the monosyllable low; a word which becomes the mouth of no critic who is not RIGHT HONOURABLE.
Again, though there may be some faults justly assigned in the work, yet, if those are not in the most essential parts, or if they are compensated by greater beauties, it will savour rather of the malice of a slanderer than of the judgment of a true critic to pass a severe sentence upon the whole, merely on account of some vicious part. This is directly contrary to the sentiments of Horace:
Verum ubi plura nitent in carmine, non ego paucis Offendor maculis, quas aut incuria fudit, Aut humana parum cavit natura--But where the beauties, more in number, shine, I am not angry, when a casual line (That with some trivial faults unequal flows)A careless hand or human frailty shows.
MR. FRANCIS
For, as Martial says, Aliter non fit, Avite, liber. No book can be otherwise composed. All beauty of character, as well as of countenance, and indeed of everything human, is to be tried in this manner. Cruel indeed would it be if such a work as this history, which hath employed some thousands of hours in the composing, should be liable to be condemned, because some particular chapter, or perhaps chapters, may be obnoxious to very just and sensible objections. And yet nothing is more common than the most rigorous sentence upon books supported by such objections, which, if they were rightly taken (and that they are not always), do by no means go to the merit of the whole. In the theatre especially, a single expression which doth not coincide with the taste of the audience, or with any individual critic of that audience, is sure to be hissed; and one scene which should be disapproved would hazard the whole piece. To write within such severe rules as these is as impossible as to live up to some splenetic opinions: and if we judge according to the sentiments of some critics, and of some Christians, no author will be saved in this world, and no man in the next.
