But, sweetly as its answers will Flatter hands of perfect skill, It keeps its highest, holiest tone For one beloved Friend alone."
Lyddy heard the violin and the man's voice as he talked to the child,-- heard them night after night; and when she went home to the little brown house to light the fire on the hearth and let down the warm red curtains, she fell into sweet, sad reveries; and when she blew out her candle for the night, she fell asleep and dreamed new dreams, and her heart was stirred with the rustling of new-born hopes that rose and took wing like birds startled from their nests.
V.
"Nor scour the seas, nor sift mankind, A poet or a friend to find:
Behold, he watches at the door!
Behold his shadow on the floor!"
Emerson's _Saadi.
Lyddy Butterfield's hen turkey was of a roving disposition.
She had never appreciated her luxurious country quarters in Edgewood, and was seemingly anxious to return to the modest back yard in her native city.
At any rate, she was in the habit of straying far from home, and the habit was growing upon her to such an extent that she would even lead her docile little gobblers down to visit Anthony Croft's hens and share their corn.
Lyddy had caught her at it once, and was now pursuing her to that end for the second time. She paused in front of the house, but there were no turkeys to be seen. Could they have wandered up the hill road,--the discontented, "traipsing," exasperating things?
She started in that direction, when she heard a crash in the Croft kitchen, and then the sound of a boy's voice coming from an inner room,-- a weak and querulous voice, as if the child were ill.
She drew nearer, in spite of her dread of meeting people, or above all of intruding, and saw Anthony Croft standing over the stove, with an expression of utter helplessness on his usually placid face.
She had never really seen him before in the daylight, and there was something about his appearance that startled her.
The teakettle was on the floor, and a sea of water was flooding the man's feet, yet he seemed to be gazing into vacancy.
Presently he stooped, and fumbled gropingly for the kettle.
It was too hot to be touched with impunity, and he finally left it in a despairing sort of way, and walked in the direction of a shelf, from under which a row of coats was hanging. The boy called again in a louder and more insistent tone, ending in a whimper of restless pain.
This seemed to make the man more nervous than ever.
His hands went patiently over and over the shelf, then paused at each separate nail.
"Bless the poor dear!" thought Lyddy. "Is he trying to find his hat, or what is he trying to do? I wonder if he is music mad?" and she drew still nearer the steps.
At this moment he turned and came rapidly toward the door.
She looked straight in his face. There was no mistaking it: he was blind. The magician who had told her through his violin secrets that she had scarcely dreamed of, the wizard who had set her heart to throbbing and aching and longing as it had never throbbed and ached and longed before, the being who had worn a halo of romance and genius to her ****** mind, was stone-blind! A wave of impetuous anguish, as sharp and passionate as any she had ever felt for her own misfortunes, swept over her soul at the spectacle of the man's helplessness. His sightless eyes struck her like a blow.
But there was no time to lose. She was directly in his path: if she stood still he would certainly walk over her, and if she moved he would hear her, so, on the spur of the moment, she gave a nervous cough and said, "Good-morning, Mr. Croft."
He stopped short. "Who is it?" he asked.
"I am--it is--I am--your new neighbor," said Lyddy, with a trembling attempt at cheerfulness.
"Oh, Miss Butterfield! I should have called up to see you before this if it hadn't been for the boy's sickness.
But I am a good-for-nothing neighbor, as you have doubtless heard.
Nobody expects anything of me."
("Nobody expects anything of me." Her own plaint, uttered in her own tone!)
"I don't know about that," she answered swiftly.
"You've given me, for one, a great deal of pleasure with your wonderful music. I often hear you as you play after supper, and it has kept me from being lonesome. That isn't very much, to be sure."
"You are fond of music, then?"
"I didn't know I was; I never heard any before," said Lyddy simply;
"but it seems to help people to say things they couldn't say for themselves, don't you think so? It comforts me even to hear it, and I think it must be still more beautiful to make it."
Now, Lyddy Ann Butterfield had no sooner uttered this commonplace speech than the reflection darted through her mind like a lightning flash that she had never spoken a bit of her heart out like this in all her life before.
The reason came to her in the same flash: she was not being looked at; her disfigured face was hidden. This man, at least, could not shrink, turn away, shiver, affect indifference, fix his eyes on hers with a fascinated horror, as others had done.
Her heart was divided between a great throb of pity and sympathy for him and an irresistible sense of gratitude for herself.
Sure of protection and comprehension, her lovely soul came out of her poor eyes and sat in the sunshine.
She spoke her mind at ease, as we utter sacred things sometimes under cover of darkness.
"You seem to have had an accident; what can I do to help you?" she asked.
"Nothing, thank you. The boy has been sick for some days, but he seems worse since last night. Nothing is in its right place in the house, so I have given up trying to find anything, and am just going to Edgewood to see if somebody will help me for a few days."
"Uncle Tony! Uncle To-ny! where are you? Do give me another drink, I'm so hot!" came the boy's voice from within.
"Coming, laddie! I don't believe he ought to drink so much water, but what can I do? He is burning up with fever."
"Now look here, Mr. Croft," and Lydia's tone was cheerfully decisive.
"You sit down in that rocker, please, and let me command the ship for a while. This is one of the cases where a woman is necessary.
