"'Sally in Our Alley,'" I replied.
"What are you?" interrupted Mr. Hodgson. He had never once looked at me, and did not now.
"A tenor," I replied. "Not a full tenor," I added, remembering the O'Kelly's instructions.
"Utterly impossible to fill a tenor," remarked the restless-eyed gentleman, looking at me and speaking to the worried-looking gentleman. "Ever tried?"
Everybody laughed, with the exception of the melancholy gentleman at the piano, Mr. Hodgson throwing in his contribution without raising his eyes from his letters. Throughout the proceedings the restless-eyed gentleman continued to make humorous observations of this nature, at which everybody laughed, excepting always the melancholy pianist--a short, sharp, mechanical laugh, devoid of the least suggestion of amusement. The restless-eyed gentleman, it appeared, was the leading low comedian of the theatre.
"Go on," said the melancholy gentleman, and commenced the accompaniment.
"Tell me when he's going to begin," remarked Mr. Hodgson at the conclusion of the first verse.
"He has a fair voice," said my accompanist. "He's evidently nervous."
"There is a prejudice throughout theatrical audiences," observed Mr. Hodgson, "in favour of a voice they can hear. That is all I am trying to impress upon him."
The second verse, so I imagined, I sang in the voice of a trumpet.
The burly gentleman--the translator of the French libretto, as he turned out to be; the author of the English version, as he preferred to be called--acknowledged to having distinctly detected a sound. The restless-eyed comedian suggested an announcement from the stage requesting strict silence during my part of the performance.
The sickness of fear was stealing over me. My voice, so it seemed to me, disappointed at the effect it had produced, had retired, sulky, into my boots, whence it refused to emerge.
"Your voice is all right--very good," whispered the musical conductor.
"They want to hear the best you can do, that's all."
At this my voice ran up my legs and out of my mouth. "Thirty shillings a week, half salary for rehearsals. If that's all right, Mr. Catchpole will give you your agreement. If not, very much obliged. Good morning," said Mr. Hodgson, still absorbed in his correspondence.
With the pale-faced young man I retired to a desk in the corner, where a few seconds sufficed for the completion of the business. Leaving, I sought to catch the eye of my melancholy friend, but he appeared too sunk in dejection to notice anything. The restless-eyed comedian, looking at the author of the English version and addressing me as Boanerges, wished me good morning, at which the everybody laughed; and, informed as to the way out by the pale-faced Mr. Catchpole, I left.
The first "call" was for the following Monday at two o'clock. I found the theatre full of life and bustle. The principals, who had just finished their own rehearsal, were talking together in a group. We ladies and gentlemen of the chorus filled the centre of the stage. I noticed the lady I had heard referred to as Gertie; as also the thin lady with the golden hair. The massive gentleman and the fishy-eyed young man were again in close proximity; so long as I knew them they always were together, possessed, apparently, of a sympathetic antipathy for each other. The fishy-eyed young gentleman was explaining the age at which he thought decayed chorus singers ought, in justice to themselves and the public, to retire from the profession; the massive gentleman, the age and size at which he thought parcels of boys ought to be learning manners across their mother's knee.
Mr. Hodgson, still reading letters exactly as I had left him four days ago, stood close to the footlights. My friend, the musical director, armed with a violin and supported by about a dozen other musicians, occupied the orchestra. The adapter and the stage manager--a Frenchman whom I found it good policy to mistake for a born Englishman--sat deep in confabulation at a small table underneath a temporary gas jet. Quarter of an hour or so passed by, and then the stage manager, becoming suddenly in a hurry, rang a small bell furiously.
"Clear, please; all clear," shouted a small boy, with important air suggestive of a fox terrier; and, following the others, I retreated to the wings.
The comedian and the leading lady--whom I knew well from the front, but whom I should never have recognised--severed themselves from their companions and joined Mr. Hodgson by the footlights. As a preliminary we were sorted out, according to our sizes, into loving couples.
"Ah," said the stage manager, casting an admiring gaze upon the fishy-eyed young man, whose height might have been a little over five feet two, "I have the very girl for you--a beauty!" Darting into the group of ladies, he returned with quite the biggest specimen, a lady of magnificent proportions, whom, with the air of the virtuous uncle of melodrama, he bestowed upon the fishy-eyed young man. To the massive gentleman was given a sharp-faced little lady, who at a distance appeared quite girlish. Myself I found mated to the thin lady with the golden hair.
At last complete, we took our places in the then approved semi-circle, and the attenuated orchestra struck up the opening chorus. My music, which had been sent me by post, I had gone over with the O'Kelly, and about that I felt confident; but for the rest, ill at ease.
"I am afraid," said the thin lady, "I must ask you to put your arm round my waist. It's very shocking, I know, but, you see, our salary depends upon it. Do you think you could manage it?"
I glanced into her face. A whimsical expression of fun replied to me and drove away my shyness. I carried out her instructions to the best of my ability.
The indefatigable stage manager ran in and out among us while we sang, driving this couple back a foot or so, this other forward, herding this group closer together, throughout another ****** space, suggesting the idea of a sheep-dog at work.
